1 1000 18 https://oer.usk.ac.id/files/original/75784decf34d94eb38d16d79be6ecdde.jpg fddca35a10229e0e505172fc328826de https://oer.usk.ac.id/files/original/46660544b91f110190d5062a2805b1f5.pdf 0269da9f8cdb4de0be30be03b2cafc8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arts, Religion, and the Environment Subject The topic of the resource The arts: general issues Description An account of the resource Exploring Nature’s Texture brings together a collection of internationally-known group of artists, theologians, anthropologists and philosophers to look at the imaginative possibilities of using the visual arts to address the breakdown of the human relationship with the environment. ; Readership: Scholars and students in theology/religious studies, art history, artists and curators, environmental humanities, environmental studies, philosophy, anthropology, environmental arts, architecture, sociology. Creator An entity primarily responsible for making the resource Bergmann, Sigurd (editor) Clingerman, Forrest (editor) Source A related resource from which the described resource is derived https://library.oapen.org/bitstream/20.500.12657/53852/1/9789004358980.pdf Publisher An entity responsible for making the resource available BRIIL Date A point or period of time associated with an event in the lifecycle of the resource 2018 Contributor An entity responsible for making contributions to the resource Baihaqi Rights Information about rights held in and over the resource Creative Commons Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource English Type The nature or genre of the resource Textbooks https://oer.usk.ac.id/files/original/3850bec2cf6d9cb40ba6c85150b53505.pdf 1151357235c96b2d1ac1dd39e73dc513 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An Introduction to Technical Theatre Subject The topic of the resource Technical Theatre Description An account of the resource An Introduction to Technical Theatre draws on the author’s experience in both the theatre and the classroom over the last 30 years. Intended as a resource for both secondary and post-secondary theatre courses, this text provides a comprehensive overview of technical theatre, including terminology and general practices. Introduction to Technical Theatre’s accessible format is ideal for students at all levels, including those studying technical theatre as an elective part of their education. The text’s modular format is also intended to assist teachers approach the subject at their own pace and structure, a necessity for those who may regularly rearrange their syllabi around productions and space scheduling. Creator An entity primarily responsible for making the resource Tal Sanders Source A related resource from which the described resource is derived https://open.umn.edu Publisher An entity responsible for making the resource available Tualatin Books Date A point or period of time associated with an event in the lifecycle of the resource 2018 Rights Information about rights held in and over the resource Creative Commons Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource English Type The nature or genre of the resource Textbook https://oer.usk.ac.id/files/original/e957829ce5e781720f5f7e2ee1bdc341.pdf d45ba09280678977732edfd6cd1e205c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Conscience of Cinema Subject The topic of the resource Cinema Description An account of the resource The Conscience of Cinema is not only a history of a rich and varied personal oeuvre by a prolific documentary maker who worked on every continent and through seven decades, from the 1920s to the 1980s. It is also the history of the aspiration to use documentary film to change the world by a committed leftist, as well as a microcosmic history of documentary form, technology and culture, and its place within world cinema as a whole throughout the twentieth century. Ivens worked in almost every genre of documentary, including the essay, compilation, hybrid dramatization, direct cinema, social observation, the solidarity film, socialist realism, agitprop activism. In this book, detailed filmic analysis is enriched by a profound historical understanding of the contexts in which Ivens carried out his vision, from his native Netherlands to the Soviet bloc, USA, France, Latin America, Vietnam and finally China. Everywhere, Joris Ivens left an indelible artistic and political mark, critically relevant to a twenty-first century where documentary has reclaimed its cultural and political centrality. This title was made Open Access by libraries from around the world through Knowledge Unlatched. Creator An entity primarily responsible for making the resource Thomas Waugh, Source A related resource from which the described resource is derived http://www.oapen.org/search?identifier=605853 Publisher An entity responsible for making the resource available Amsterdam University Press, Amsterdam Contributor An entity responsible for making contributions to the resource Rika Zulfia Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Textbooks cinema Film Film theory and criticism Films The arts TV and radio https://oer.usk.ac.id/files/original/c447c4066a81567cfc343df69bb486eb.pdf 132c7021d7329b61ac08ce0755072cd2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Facing Forward. Art and Theory from a Future Perspective Subject The topic of the resource Perspective Description An account of the resource This spirited exploration of the interfaces between art and theory in the 21st century brings together a multidisciplinary range of viewpoints on their future. The authors examine contemporary visual culture based on speculative predictions and creative scientific arguments. Focusing on seven themes - Future Tech, Future Image, Future Museum, Future City, Future Freedom, Future History, and Future Future - the book shows how our sense of the future is shaped by a visual rhetoric of acceleration, progression, excess and destruction. The essays reflect collaborative work between the Stedelijk Museum Amsterdam, the Amsterdam School for Cultural Analysis at the University of Amsterdam, De Appel Arts Centre, W139–Space for Contemporary Art, and the art magazine Metropolis M. Discussing provocative themes like future history and future freedom, ‘Facing Forward’ is an energetic look at how our visions of the future affect how we depict the world around us. Creator An entity primarily responsible for making the resource Hendrik Folkerts, Cristoph Lindner, Margriet Schavemaker, Source A related resource from which the described resource is derived http://oapen.org/download?type=document&docid=576931 Publisher An entity responsible for making the resource available Amsterdam University Press Contributor An entity responsible for making contributions to the resource Rika Zulfia Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Tetxbooks cinema Film Film theory and criticism Films The arts TV and radio https://oer.usk.ac.id/files/original/018354e83b5a7aae36065e7819b5c065.pdf f7e8aab3ea13b0d1a4b8a583bcdba820 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art of Fugue Subject The topic of the resource Art Description An account of the resource Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues—some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. Creator An entity primarily responsible for making the resource Joseph Kerman, Source A related resource from which the described resource is derived http://oapen.org/download?type=document&docid=602277 Publisher An entity responsible for making the resource available University of California Press, Oakland, California Contributor An entity responsible for making contributions to the resource Rika Zulfia Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Textbooks Music Music The arts The arts Theory of music and musicology https://oer.usk.ac.id/files/original/6aa8da45b9cda5ea0b4a0417a5aa2ec2.pdf fd6be0eaca58b992fb1ca2e996905432 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Burning Bright: Essays in Honour of David Bindman Description An account of the resource This book celebrates the work and career of the internationally renowned art historian, David Bindman, on the occasion of his 75th birthday, and is above all a tribute to him from his former students and colleagues. With essays on sculpture, drawings, watercolours and prints, the volume reflects the extraordinary range of Bindman’s knowledge of works of art and his impact through his teaching and research on the understanding of British and European artistic developments from the eighteenth to the twentieth century. The essays cast light on questions of technique and stylistic change, patronage, collecting and iconography, and engage with issues such as the representation of race, gender, sexuality, political violence and propaganda, exile, and notions of the canon. The artists discussed here include Hogarth, Blake, Roubiliac, Thorvaldsen and Canova, all subjects of books by David Bindman, as well as Morland, Rowlandson, Gillray, Millais, Munch, Nevinson, and Heartfield. Creator An entity primarily responsible for making the resource Diana Dethloff, Tessa Murdoch Kim Sloan, Caroline Elam Source A related resource from which the described resource is derived http://oapen.org/download?type=document&docid=575567 Publisher An entity responsible for making the resource available UCL Press Contributor An entity responsible for making contributions to the resource Rika Zulfia Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Textbooks History of art / art and design styles The arts https://oer.usk.ac.id/files/original/6b742fcb73ff30949b7df81b3f2cac3e.pdf 406dc0f7f3b8a087996fc888dd31cbad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Framing French Culture Subject The topic of the resource Culture Description An account of the resource Throughout this book, the concept of framing is used to look at art, photography, scientific drawings and cinema as visually constituted, spatially bounded productions. The way these genres relate to that which exists beyond the frame, by means of plastic, chemically transposed, pencil-sketched or moving images allows us to decipher the particular language of the visual and at the same time circumscribe the dialectic between presence and absence that is proper to all visual media. Yet, these kinds of re-framing owe their existence to the ruptures and upheavals that marked the demise of certain discursive systems in the past, announcing the emergence of others that were in turn overturned. Creator An entity primarily responsible for making the resource Natalie Edwards Ben McCann Peter Poiana, Source A related resource from which the described resource is derived http://oapen.org/download?type=document&docid=577016 Publisher An entity responsible for making the resource available University of Adelaide Press, Adelaide Contributor An entity responsible for making contributions to the resource Rika Zulfia Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Textbooks cinema Literature and literary studies Cultural studies Film Films Literary theory Society and social sciences Literature: history and criticism Popular culture Society and culture: general Society and social sciences The arts TV and radio https://oer.usk.ac.id/files/original/d309387144f5336b8e5af27a7d69d9cf.pdf cf279f6e3e154346b9b86f33e693c776 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Houston Reflections Art in the City, 1950s, 60s and 70s Subject The topic of the resource Art Creator An entity primarily responsible for making the resource Sarah Reynolds Publisher An entity responsible for making the resource available Connexions Contributor An entity responsible for making contributions to the resource Cut Rita Zahara Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Textbooks Art https://oer.usk.ac.id/files/original/dfef5438fe68016134a000a242f6fb55.pdf c84176fbbb0947031d7e8587c3251322 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flowering Light: Kabbalistic Mysticism and the Art of Elliot R. Wolfson Subject The topic of the resource Flowering Light Art Creator An entity primarily responsible for making the resource Marcia Brennan Jeffrey Kripal Publisher An entity responsible for making the resource available Connexions Contributor An entity responsible for making contributions to the resource Cut Rita Zahara Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Textbooks Art Flowering Light https://oer.usk.ac.id/files/original/76f1eb050b2e4e1b76e660149d34ba09.pdf 15d848befe02bd76067cc39f3cd008e9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Imaging Identity: Media, memory and portraiture in the digital age Subject The topic of the resource Media, Description An account of the resource Imaging Identity presents potent reflections on the human condition through the prism of portraiture. Taking digital imaging technologies and the dynamic and precarious dimensions of contemporary identity as critical reference points, these essays consider why portraits continue to have such galvanising appeal and perform fundamental work across so many social settings. This multidisciplinary enquiry brings together artists, art historians, art theorists and anthropologists working with a variety of media. Authors look beyond conventional ideas of the portrait to the wider cultural contexts, governmental practices and intimate experiences that shape relationships between persons and pictures. Their shared purpose centres on a commitment to understanding the power of images to draw people into their worlds. Imaging Identity tracks a fundamental symbiosis — to grapple with the workings of images is to understand something vital of what it is to be human. Creator An entity primarily responsible for making the resource Melinda Hinkson, Source A related resource from which the described resource is derived http://oapen.org/download?type=document&docid=619477 Publisher An entity responsible for making the resource available ANU Press Contributor An entity responsible for making contributions to the resource Rika Zulfia Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource textbooks Art treatments and subjects Graphical and digital media applications Society and social sciences Human figures depicted in art Portraits in art Computing and information technology s The arts Society and culture: general Society and social sciences https://oer.usk.ac.id/files/original/5d1ed9c2b21815e4968fa87be445c562.pdf 306587afbe574252c0f67007d1c919ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Imagined and Real Jerusalem in Art and Architecture Subject The topic of the resource Architecture Art Description An account of the resource In The Imagined and Real Jerusalem in Art and Architecture specialists in various fields of art history, from Early Christian times to the present, discuss in depth a series of Western artworks, artefacts, and buildings, which question the visualization of Jerusalem. Creator An entity primarily responsible for making the resource Jeroen Goudeau Mariëtte Verhoeven Wouter Weijers Source A related resource from which the described resource is derived http://oapen.org/download?type=document&docid=613369 Publisher An entity responsible for making the resource available Brill Contributor An entity responsible for making contributions to the resource Rika Zulfia Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Textbooks Humanities https://oer.usk.ac.id/files/original/301bf6881832aaa5f0061d38ac73771d.pdf 01fbf1d90159ce7d82d077fb1fa97bbf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Theatrical Worlds Subject The topic of the resource Theatrical Description An account of the resource From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues from across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well. Publisher An entity responsible for making the resource available University Press of Florida Contributor An entity responsible for making contributions to the resource Cut Rita Zahara Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Textbooks Acting Costume Design Directing Lighting Design Set Design Theatrical Theatrical Worlds https://oer.usk.ac.id/files/original/f1e585f05448aa99c1c9a35e80e86518.pdf 8061eb9c20faa10cc5b2b87c1fbcf65d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Actors and the Art of Performance : Under Exposure Subject The topic of the resource the Art Performance Description An account of the resource Acting on stage is a mode of performing an action, in the context of which the bodily aspects implicitly at work in acting reveal their own significance and power. This event can actualize a wound incarnated in human beings, because the actor acts and does not act at the same time and hence the concept of being ‘the doer’ unmasks itself as being illusionary. One could call it a kind of ‘symbolic death’ (Mueller), an ‘anthropological mutation’ (Agamben)––an event of great interest because of its highly ethical call.The book “Actors and the Art of Performance. Under Exposure” opens with a cascade of contradictory motives for becoming an actor. But, if theatre is no longer understood as a theatre of representation, then what takes place on stage is a transformation at play with truth, in which ethics are realized by the aesthetic. Insofar the book summarizes the attempt to explore and map guidelines of acting as being under the perspective of be-coming. That may sound fairly harmless in theory, but it feels anything but harmless when you experience it on your own body. For example, for being physical under exposure actors have to learn that there exists no fundamental dualism between mind and matter. Furthermore, actors are espoused to a dynamic shifting ground in the name of creativity. They have to carry the burden that the self is no sovereign identity as we generally suppose, but rather a threshold of permanent be-coming. One could call it the outstanding gift of acting. In the German language, gift means “poison”, in German ears the word has the double meaning of poison and present, thus expressing the fact that a gift is disturbing and blessing at the same time. Loaded with fear and joy as the crucial point of acting, which attacks and attracts actors and spectators most. Creator An entity primarily responsible for making the resource Susanne Valerie Source A related resource from which the described resource is derived http://oapen.org/download?type=document&docid=612285 Publisher An entity responsible for making the resource available Palgrave Macmillan, London Contributor An entity responsible for making contributions to the resource Rika Zulfia Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Textbooks Dance and other performing arts Deconstructionism from c 1900 - History of Western philosophy Other performing arts Humanities Philosophy Philosophy Humanities Philosophy: aesthetics Humanities Post-structuralism Structuralism The arts The arts Theatre studies Theatre studies The arts Theatre: individual actors and directors The arts Western philosophy https://oer.usk.ac.id/files/original/e0eb4957531ade5f333d61c701c25c99.pdf 78f8042e308ea07851267fd48ccf4ce0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Platonic Occasions: Dialogues on Literature, Art and Culture Subject The topic of the resource Art Culture Description An account of the resource <div class="abstract-text full-text">In Platonic Occasions, Richard Begam and James Soderholm reflect upon a wide range of thinkers, writers and ideas from Plato, Descartes and Nietzsche to Shakespeare, the Romantics and the Moderns—from Evil, Love and Death to Art, Memory and Mimesis. The dialogues suggest that Percy Shelley was right when he claimed “We are all Greeks,” and yet what have we learned about the initiatives of culture and literature since our classical predecessors? Begam and Soderholm’s ten dialogues function as a series of dual-meditations that take Plato as an intellectual godfather while presenting a new form of dialogic knowledge based on the friction and frisson of two minds contending, inventing and improvising. The authors discuss not only what is healthy and vigorous about Western culture but also consider where that culture is in retreat, as they seek to understand the legacy of the Enlightenment and its relation to the contemporary moment.Platonic Occasionsis an experiment in criticism that enjoins the reader to imagine what the dialogic imagination can do when inspired by Platonic inquiry, but not bound by a single master and the singular mind. Beyond Socratic maieutics and Cartesian meditation is a form of intellectual interplay where it is impossible not to be of two minds.</div> Creator An entity primarily responsible for making the resource Richard Begam James Soderholm Source A related resource from which the described resource is derived http://oapen.org/download?type=document&docid=530650 Publisher An entity responsible for making the resource available Stockholm University Press, Stockholm Contributor An entity responsible for making contributions to the resource Rika Zulfia Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Textbooks History of art / art and design styles Literature and literary studies Literature and literary studies Literature: history and criticism Humanities Philosophy Philosophy The arts Philosophy: aesthetics Humanities https://oer.usk.ac.id/files/original/5fc3a8657c99f1c8a2d9969f135553fd.pdf 87ddda82b089748edd3a84070be8e2ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Doing the Right Thing : A Value Based Economy Subject The topic of the resource The arts Description An account of the resource "This book is for all those who are seeking a human perspective on economic and organizational processes. It lays the foundations for a value based approach to the economy. The key questions are: “What is important to you or your organization?” “What is this action or that organization good for?” The book is directed at the prevalence of instrumentalist thinking in the current economy and responds to the calls for another economy. Another economy demands another economics. The value based approach is another economics; it focuses on values and on the most important goods such as families, homes, communities, knowledge, and art. It places economic processes in their cultural context. What does it take to do the right thing, as a person, as an organization, as a society? What is the good to strive for? This book gives directions for the answers. The value based approach restores the ancient idea that quality of life and of society is what the economy is all about. It advocates shifting the focus from quantities (“how much?”) to qualities (“what is important?”). Creator An entity primarily responsible for making the resource Arjo Klamer Source A related resource from which the described resource is derived http://oapen.org/download?type=document&docid=631934 Publisher An entity responsible for making the resource available Ubiquity Press, London Contributor An entity responsible for making contributions to the resource Rika Zulfia Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Textbooks Business and Management Finance Society and social sciences Economics The arts The arts The arts: general issues Humanities Society and social sciences https://oer.usk.ac.id/files/original/a638c05e590a8ff8475d37c90542e5b0.pdf cc30124038629b62c13f3c0155abfce9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architecture in the Anthropocene Subject The topic of the resource Architecture The arts, Description An account of the resource Research regarding the significance and consequence of anthropogenic transformations of the earth’s land, oceans, biosphere and climate have demonstrated that, from a wide variety of perspectives, it is very likely that humans have initiated a new geological epoch, their own. First labeled the Anthropocene by the chemist Paul Crutzen, the consideration of the merits of the Anthropocene thesis by the International Commission on Stratigraphy and the International Union of Geological Sciences has also garnered the attention of philosophers, historians, and legal scholars, as well as an increasing number of researchers from a range of scientific backgrounds. Architecture in the Anthropocene: Encounters Among Design, Deep Time, Science and Philosophy intensifies the potential of this multidisciplinary discourse by bringing together essays, conversations, and design proposals that respond to the “geological imperative” for contemporary architecture scholarship and practice. Contributors include Nabil Ahmed, Meghan Archer, Adam Bobbette, Emily Cheng, Heather Davis, Sara Dean, Seth Denizen, Mark Dorrian, Elizabeth Grosz, Lisa Hirmer, Jane Hutton, Eleanor Kaufman, Amy Catania Kulper, Clinton Langevin, Michael C.C. Lin, Amy Norris, John Palmesino, Chester Rennie, François Roche, Ann-Sofi Rönnskog, Isabelle Stengers, Paulo Tavares, Etienne Turpin, Eyal Weizman, Jane Wolff, Guy Zimmerman. Creator An entity primarily responsible for making the resource Etienne Turpin, Source A related resource from which the described resource is derived http://oapen.org/download?type=document&docid=502351 Publisher An entity responsible for making the resource available Open Humanities Press Contributor An entity responsible for making contributions to the resource Rika Zulfia Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Textbooks Architecture Architecture The arts Earth Sciences Environment Geography Geology and the lithosphere Planning planning Earth sciences The arts Theory of architecture Earth sciences https://oer.usk.ac.id/files/original/84044e8c27029c0108a341cc2a6bcdcc.pdf b6a61632b0d6b720e0fb28d9be93fefc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 The Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fabricate Subject The topic of the resource The arts Architectural structure and design Creator An entity primarily responsible for making the resource Achim Menges Bob Chail Riairi Glynn Marilena Skavara Source A related resource from which the described resource is derived http://oapen.org/download?type=document&docid=626897 Publisher An entity responsible for making the resource available UCL Press, London Contributor An entity responsible for making contributions to the resource Rika Zulfia Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Tetxbooks Description An account of the resource Bringing together pioneers in design and making within architecture, construction, engineering, manufacturing, materials technology and computation, Fabricate is a triennial international conference, now in its third year (ICD, University of Stuttgart, April 2017). Each year it produces a supporting publication, to date the only one of its kind specialising in Digital Fabrication. The 2017 edition features 32 illustrated articles on built projects and works in progress from academia and practice, including contributions from leading practices such as Foster + Partners, Zaha Hadid Architects, Arup, and Ron Arad, and from world-renowned institutions including ICD Stuttgart, Harvard, Yale, MIT, Princeton University, The Bartlett School of Architecture (UCL) and the Architectural Association. agriculture Architectural structure and design Technology Architecture Architecture The arts Art forms Drawing and drawings The arts Engineering Engineering graphics and technical drawing Technology: general issues The arts https://oer.usk.ac.id/files/original/01778f5739c8944715e777ff7ada207f.pdf 4e80dbe79dc9a01b0942d6d640c8c34a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 700 Arts Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Understanding Music: Past and Present Subject The topic of the resource Music Art Art and Music Description An account of the resource Music moves through time; it is not static. In order to appreciate music we must remember what sounds happened, and anticipate what sounds might come next. Most of us would agree that not all sounds are music! Examples of sounds not typically thought of as music include noises such as alarm sirens, dogs barking, coughing, the rumble of heating and cooling systems, and the like. But, why? One might say that these noises lack many of the qualities that we typically associate with music. Creator An entity primarily responsible for making the resource N. Alan Clark, PhD Thomas Heflin, PhD Jeffrey Kluball, PhD Elizabeth Kramer, PhD Source A related resource from which the described resource is derived https://web.ung.edu/media/university-press/Understanding%20Music-Past%20and%20Present-082817.pdf?t=1510261279926 Publisher An entity responsible for making the resource available University of North Georgia Press Contributor An entity responsible for making contributions to the resource Rahmah Agustira Rights Information about rights held in and over the resource Creative Commons Type The nature or genre of the resource Textbooks Art Art and Music Music